| |
Currently On Sale
On Sale: 2008 Archive
FCS: Captain Ahab
Robert Gavaldón
Never Apologize
Revolutionary Romantic
YFF: L.I.E.
IN: Judge & General
FCS: The Deal
Kawakita
Gr. Scr.: Fields of Fuel
Dominique Delouche
SE: Four Hands
GS: The Cat and...
YFF: American Teen
Slovenian Cinema
SE: Magic Lantern
William Holden
SE: Jazz on a...
Satoshi Kon
IN: Critical Condition
HRW Collection
Human Rights Watch
Gr. Scr.: Biùtiful...
New Italian Cinema
YFF: Judy Berlin
Israel @ 60
Charles Boyer
Gr. Scr.: Nausicaä
Jennifer Jones
SE: Robert Frank
SE: Jerry Schatzberg
SE: Joachim Trier
1968: Intl. Perspective
Romanian Cinema
Met: La Fille du Régiment
SE: Ned Rorem
GS: The Kid Brother
YFF: Le Boucher
Gr. Scr.: Mountaintop...
IN: Phyllis and Harold
NYAFF 2008
SE: Dreams...
SE: On the Street
Met: La Bohème
ND/NF Classics 2008
Gr. Scr.: Garbage...
Met: Tristan und Isolde
Thorold Dickinson
Met: Peter Grimes
Infernal Machines
Rendez-Vous 2008
Green Screens: Flow:...
Met: Manon Lescaut
YFF: Harold and Maude
Film Comment Selects
IN: From the Ground Up
SE: Two Laws
GS: Chang: A Story...
Envisioning Russia
Program Overview
Alexandra
The Ascent
At Home Among...
Battleship Potemkin
Bed and Sofa
Cargo 200
Carnival Night
Courier
The Cranes Are Flying
Dersu Uzala
Elegy of Life:...
Mr. West...
Happiness
Jazzman
Jewish Luck
Jolly Fellows...
July Rain
Letter Never Sent
The Mirror
Moscow Does Not...
The Russian Question
Sadko
The Thirteen
Tractor Drivers
Travelling with Pets
Uncle Vanya
...Streets of Moscow
White Sun of the Desert
YFF: The Ice Storm
NYJFF 2008
Celebrate Alex Corti
NYJFF JM Screens
Met: Macbeth
SE: City of Men
DOC 2008
Met: Hänsel and Gretel
On Sale: 2007 Archive
On Sale: 2006 Archive
On Sale: 2005 Archive
Archive 2005 - To April
Archive 2004 - WRT
Archive 2003 - WRT
Archive 2002 - WRT
Archive 2001 - WRT
Archive 2000 - WRT
Archive 1999 - WRT
Archive 1998 - WRT
Archive 1997 - WRT
Archive 1996 - WRT
|
|
Soviet critical attitudes in the ‘20s towards America and American art were often contradictory. On the one hand, American vitality and innovation were highly prized and admired. On the other, the U.S. was a capitalist powerhouse. This paradox can be clearly seen in Mr. West, which film scholar Denise Youngblood has called the finest Soviet film comedy of that decade. An American businessman, Mr. West, travels to Russia under the protection of his faithful cowboy bodyguard Jeddie. Suspicious of everyone, he eventually comes to realize that the Bolshies aren’t so bad after all. The paper-thin plot is basically a premise for Kuleshov and members of his acting troupe––which includes directors Boris Barnet and Vsevelod Pudovkin––to engage in a series of wonderful stunts and sight gags while roasting various American and Russian stereotypes.
Live piano accompaniment by Donald Sosin.
Print courtesy of The Austrian Film Museum.
|
Sat Feb 2: 1:30
|
