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On Sale: 2008 Archive
Kawakita
Gr. Scr.: Fields of Fuel
Dominique Delouche
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YFF: American Teen
Slovenian Cinema
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William Holden
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Satoshi Kon
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Human Rights Watch
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New Italian Cinema
YFF: Judy Berlin
Israel @ 60
Charles Boyer
Gr. Scr.: Nausicaä
Jennifer Jones
SE: Robert Frank
SE: Jerry Schatzberg
SE: Joachim Trier
1968: Intl. Perspective
Romanian Cinema
Met: La Fille du Régiment
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GS: The Kid Brother
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Gr. Scr.: Mountaintop...
IN: Phyllis and Harold
NYAFF 2008
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SE: On the Street
Met: La Bohème
ND/NF Classics 2008
Gr. Scr.: Garbage...
Met: Tristan und Isolde
Thorold Dickinson
Met: Peter Grimes
Infernal Machines
Rendez-Vous 2008
Green Screens: Flow:...
Met: Manon Lescaut
YFF: Harold and Maude
Film Comment Selects
IN: From the Ground Up
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Envisioning Russia
Program Overview
Alexandra
The Ascent
At Home Among...
Battleship Potemkin
Bed and Sofa
Cargo 200
Carnival Night
Courier
The Cranes Are Flying
Dersu Uzala
Elegy of Life:...
Mr. West...
Happiness
Jazzman
Jewish Luck
Jolly Fellows...
July Rain
Letter Never Sent
The Mirror
Moscow Does Not...
The Russian Question
Sadko
The Thirteen
Tractor Drivers
Travelling with Pets
Uncle Vanya
...Streets of Moscow
White Sun of the Desert
YFF: The Ice Storm
NYJFF 2008
Celebrate Alex Corti
NYJFF JM Screens
Met: Macbeth
SE: City of Men
DOC 2008
Met: Hänsel and Gretel
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Envisioning Russia: A Century of Filmmaking
January 25 – February 14, 2008

Although early film shows took place in Russia soon after the invention of cinema (Maxim Gorky’s book "In the Kingdom of Shadows," published July 4, 1896, is one of the most beautiful early descriptions of cinema), continuous, serious film production was not established in Russia until 1908. Thus, the Russian Ministry of Culture has designated 2008 as the centenary of Russian Cinema. We could have devoted an entire year’s programming to the occasion and still merely have scratched the surface of this most innovative, contradictory and always provocative cinema. Together with our partner, Seagull Films, we focus on the work of Mosfilm, the largest and most productive film studio during the Soviet era, which remains Russia’s most important film institution even today. At its height, Mosfilm was the USSR’s Hollywood, hosting the most popular stars, creating the most lavish productions and generally setting the pace for the rest of Soviet cinema. Eisenstein, Romm, Tarkovsky, Konchalovsky and Shepitko all created masterpieces there, while the extraordinary range of Soviet production was on full display.

Alongside the classics, this commemoration showcases Soviet musicals such as the wonderful Jolly Fellows and the remarkable Tractor Drivers, as well as Soviet “easterns,” action-adventure yarns set in the untamed wilds of Central Asia. Works such as Carnival Night and The Cranes Are Flying heralded the post-Stalinist cultural thaw, while Courier was one of the first films to attempt to capture the then-emerging atmosphere of Glasnost and the Gorbachev moment. Also included is a brief selection of recent films — Cargo 200, Travelling with Pets, and a special screening of Alexander Sokurov’s Alexandra — that together offer a fascinating look at Russian cinema today and tomorrow.

For a listing of the films in Envisioning Russia go to Program Overview.

Click on Calendar to view the schedule, film descriptions and to purchase tickets online. Our special Series Pass ($40 for the public, $30 for Film Society members ~ limited availability) admits one person to five titles in the series except for the screening of Alexandra at 7:15pm on Sat Jan 26. The pass is available for purchase (cash only) at the Walter Reade Theater box office.

Envisioning Russia is co-presented with Seagull Films in cooperation with Concern Mosfilm. Sponsored by Russian Standard Vodka. Major support provided by the National Endowment for the Arts, which believes that a great nation deserves great art. Filmmakers’ travel is generously supported by the Trust of Mutual Understanding. Special thanks to Karen Shakhnazarov.