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Currently On Sale
On Sale: 2008 Archive
FCS: Captain Ahab
Robert Gavaldón
Never Apologize
Revolutionary Romantic
YFF: L.I.E.
IN: Judge & General
FCS: The Deal
Kawakita
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Dominique Delouche
SE: Four Hands
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William Holden
SE: Jazz on a...
Satoshi Kon
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HRW Collection
Human Rights Watch
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New Italian Cinema
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Israel @ 60
Charles Boyer
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Jennifer Jones
SE: Robert Frank
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SE: Joachim Trier
1968: Intl. Perspective
Romanian Cinema
Met: La Fille du Régiment
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GS: The Kid Brother
YFF: Le Boucher
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IN: Phyllis and Harold
NYAFF 2008
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SE: On the Street
Met: La Bohème
ND/NF Classics 2008
Gr. Scr.: Garbage...
Met: Tristan und Isolde
Thorold Dickinson
Met: Peter Grimes
Infernal Machines
Rendez-Vous 2008
Green Screens: Flow:...
Met: Manon Lescaut
YFF: Harold and Maude
Film Comment Selects
Program Overview
The Banishment
Before I Forget
Boarding Gate
Chop Shop
Container
Damon Packard...
Dark Matter
Duchess of Langeais
Dust
The Edge of Heaven
Ex Drummer
Flash Point
Frontičre(s)
Diary of the Dead
Import Export
Inside
J'entends plus la guitare
Joy Division
Mandingo
Reflections of Evil
Rubin and Ed
Schindler's Houses
Searchers 2.0
10 Rillington Place
Walker
Wolfsbergen
A Wonderful World
IN: From the Ground Up
SE: Two Laws
GS: Chang: A Story...
Envisioning Russia
YFF: The Ice Storm
NYJFF 2008
Celebrate Alex Corti
NYJFF JM Screens
Met: Macbeth
SE: City of Men
DOC 2008
Met: Hänsel and Gretel
On Sale: 2007 Archive
On Sale: 2006 Archive
On Sale: 2005 Archive
Archive 2005 - To April
Archive 2004 - WRT
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Archive 2000 - WRT
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Archive 1997 - WRT
Archive 1996 - WRT
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Based on Kyle Onstott's bestselling 1957 novel, this incendiary and deeply disturbing melodrama about the way slavery debases and destroys both slaves and owners on a Louisiana slave breeding plantation in decline was dismissed in its day as tasteless exploitation or camp - "Like Gone with the Wind with all the characters in heat," as Leslie Halliwell put it. Only Time Out's David Pirie got it right: "The stereotype of the Deep South, with its stoical slaves and demure belles is effectively exploded here. Fleischer utilizes the real sexuality and violence behind slavery to mount a compelling slice of American Gothic, which analyzes in appropriately lurid terms, the twists and turns of a distorted society." With James Mason as the tyrannical patriarch, Perry King as the frustrated son and heir, Susan George as his flighty and less than virginal bride, and Ken Norton as the pure-bred Mandingo slave who become the center of the action.
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Sat Feb 23: 2
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