Currently On Sale On Sale: 2008 Archive FCS: Captain Ahab Robert Gavaldón Never Apologize Revolutionary Romantic YFF: L.I.E. IN: Judge & General FCS: The Deal Kawakita Gr. Scr.: Fields of Fuel Dominique Delouche SE: Four Hands GS: The Cat and... YFF: American Teen Slovenian Cinema SE: Magic Lantern William Holden SE: Jazz on a... Satoshi Kon IN: Critical Condition HRW Collection Human Rights Watch Gr. Scr.: Biùtiful... New Italian Cinema YFF: Judy Berlin Israel @ 60 Charles Boyer Gr. Scr.: Nausicaä Jennifer Jones SE: Robert Frank SE: Jerry Schatzberg SE: Joachim Trier 1968: Intl. Perspective Romanian Cinema Met: La Fille du Régiment SE: Ned Rorem GS: The Kid Brother YFF: Le Boucher Gr. Scr.: Mountaintop... IN: Phyllis and Harold NYAFF 2008 SE: Dreams... SE: On the Street Met: La Bohème ND/NF Classics 2008 Gr. Scr.: Garbage... Met: Tristan und Isolde Thorold Dickinson Met: Peter Grimes Infernal Machines Rendez-Vous 2008 Green Screens: Flow:... Met: Manon Lescaut YFF: Harold and Maude Film Comment Selects IN: From the Ground Up SE: Two Laws GS: Chang: A Story... Envisioning Russia YFF: The Ice Storm NYJFF 2008 Celebrate Alex Corti NYJFF JM Screens Met: Macbeth SE: City of Men DOC 2008 Program Overview Spartacus Innovative Enigma Russian Ballet Out There Canada On The Rocks Jacques Tati Classic Shorts New Ideas/New Shorts Satiric Dance Pierre Coulibeuf Urban Dance I Urban Dance II Jock Soto Pop Video Artists... Met: Hänsel and Gretel On Sale: 2007 Archive On Sale: 2006 Archive On Sale: 2005 Archive Archive 2005 - To April Archive 2004 - WRT Archive 2003 - WRT Archive 2002 - WRT Archive 2001 - WRT Archive 2000 - WRT Archive 1999 - WRT Archive 1998 - WRT Archive 1997 - WRT Archive 1996 - WRT

Program 10: Pierre Coulibeuf’s Cinematic Universes Series: Dance on Camera Festival 2008 Director: Pierre Coulibeuf, Country: France, Runtime: 101 Pavillon noir Pierre Coulibeuf, France, 2006; 24m The films of Pierre Coulibeuf invent marginal language, criticize established forms and question ways of presentation to create contemporary artistic universes. Pavillon noir, a collaboration with the choreographer Anjelin Preljocaj, explores the relationship between choreography, architecture and cinema. It plays with reality, disrupts it and moves into a familiar yet strange territory where identity keeps shifting. Balkan baroque Pierre Coulibeuf, France, 1999; 63m Balkan Baroque is not a documentary on Marina Abramovic, an artist best known for her unique installations. Nor is it a record of her performances. Instead, what Pierre Coulibeuf has accomplished is really a cinematic transmutation, an imaginative, provocative and autonomous fictional work that captures Marina Abramovic’ powerful persona –– feminist, ironic and sexy and consistently fascinating. In the end, this is Coulibeuf’s personal vision of the artist. Le Démon du passage Pierre Coulibeuf, France, 1995; 14m Characters appear in landscapes, disappear and reappear, seemingly trying to make a connection with one another but always in transition, obsessed with existential dilemmas, seeking answers. Visually, the confrontation is always between a fixed image and a moving one. This short fiction, inspired by the photography of Jean-Luc Moulene, is as intriguing as an unsolved mystery.

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