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Independents Night

A joint program of the Film Society of Lincoln Center and IFP.

Independents Night is a program devoted exclusively to showcasing American documentaries. This rich genre comes to the big screen every month at the Walter Reade Theater, making Independents Night one of the city's foremost year-round venues for nonfiction work. Join the filmmakers for a provocative evening of discovery and exploration and stay for the Q & A discussion after the film. Independents Night is supported, in part, by a grant from the John D. and Catherine T. MacArthur Foundation.


Past Indie Night Events




Learning to Swallow
Danielle Beverly, 2005; 86m
Thursday, October 27, 2005, 6:30 pm

Patsy was an energetic artist, full of life and constantly changing hairstyles. She took hundreds of pictures of herself documenting her many looks and moods, from carefree party girl to haunting images of herself staring into the camera. Then one day, in what she later came to realize was a bipolar manic episode, Patsy attempts suicide by swallowing drain cleaner. Her esophagus and stomach are removed. Danielle Beverly’s first feature chronicles four years of Patsy’s life, from her life in a Florida nursing home through her surgery to replace her digestive system, her addiction to painkillers and her physical and mental rehabilitation. We see her first shaking uncontrollably, reflecting haltingly on the terrible harm she has done to herself and wishing for her old life in Chicago, while her family and friends question whether she will ever be able to overcome the seemingly insurmountable obstacles to her recovery, starting with receiving liquid nutrition through a J-tube in her abdomen. As she faces her lowest point, she starts regular therapy sessions, which allow her to learn about her illness and how it relates to her past. When she moves back to Chicago, she taps into the artist within her, this time with a new, mature voice.

Director/producer Danielle Beverly began her documentary career at Chicago’s PBS affiliate, co-producing a film about the Joffrey Ballet and disability, Dance from the Heart, as well as Independent View, and Blink — all of which have won Emmys. In addition to producing for cable and PBS, she is a cinematographer on independent documentaries and will continue, until 2011, to serve as field producer for James Whitaker’s Project Rebirth, a longitudinal documentary that will track the healing process of 10 people markedly impacted by 9/11.


 
   

Homemade Hillbilly Jam
Rick Minnich, U.S., 2005; 80m
Thursday, November 17, 2005, 6:30 pm

Images of hillbillies are common enough, but the sounds of “neo-hillbilly” music from the Ozark Mountains are delightfully rich and wonderfully captured by German-based American filmmaker Rick Minnich, turning his camera on three families of musicians, each with their own style and degree of success. Leading the pack is 34-year-old singer/songwriter Mark Bilyeu and his cousins from the hillbilly band Big Smith. All well-educated, these modern-day hippies were raised on gospel and folk music, and their songs tell tales of life along Bull Creek. Their relatives, the Mabes, were the first to perform a show in nearby Branson as The Baldknobbers. While they started out as a hillbilly band, they are all about the flashy neon stars and stripes of this Bible Belt show town. Finally, the Pine Ridge Singers could not be more different. These somehow distant relatives of Big Smith are the most hillbilly of all — their patriarch “Dupe” Brown was born and raised in a log cabin and is determined to keep his land in the family. When he's not imitating Jimi Hendrix on his electric mandolin, he is joined by his wife, daughter, son-in-law, and grandson at the monthly gospel services at Pine Ridge Church in the Mark Twain National Forest. Spontaneous exchanges, impromptu jam sessions — including one with dueling washboards! — in old country churches, around bonfires or after a Thanksgiving meal are interspersed with archival footage, old photos and the muted colors of bare autumn trees on a hill. All this, woven with the old, new sounds of southwestern Missouri, slyly sink us into the neo-hillbilly world (and it’s not a bad place to be).